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Peggy Phelan, Hans Ulrich Obrist, Elisabeth Bronfen
London: Phaidon, 2001
160 p.

ISBN 978-0714839653

Swiss-born artist Pipilotti Rist creates colourful multi-screen video works which, often with the pace and seduction of a pop promo, signal the birth of a new interdisciplinary art form. With such lighthearted artworks as Ever Is Over All presented at the 1997 Venice Biennale (which won Rist the Biennale’s Premio 2000), showing a princess-like young girl blithely smashing car windows, Rist invents new possibilities for poetry, feminine identity and the traditional genre of portraiture. Critic and curator Hans Ulrich Obrist discusses with Rist the collaborative nature of her work, from her college-day video experiments to her recent large-screen installation in New York’s Times Square. The subtle poetry of Rist’s work is reflected in her two Artist’s Choice selections, the poem Barefoot by Anne Sexton and a short story by Richard Brautigan, as well as in her dreamy diaristic Artist’s Writings.

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